Review: Edward Sharpe & The Magnetic Zeros "Up From Below"

In a decade where the weirdness of bands such as the Flaming Lips and the Polyphonic Spree has been celebrated, it is sometimes difficult to tell when the band is a gimmick and when they are worth a listen. Upon my first sight of the super-strange nomadic collective of Edward Sharpe and the Magnetic Zeros, I wasn't sure which way to turn, but to avoid being close-minded, I knew I had to give them a try. What I found was a refreshing new sound that stems from the electricity between frontman Alex Ebert and his love interest Jade Castrinos.

The first track, "40 Day Dream" tears away from the freak-folk themes of the rest of the album, but is a great spark of energy to lead off the album. Filled with vibrant synthesizer and cheerful handclaps, the tune has already become one of the more popular ones off of the album. The first standout tune on the album comes with the title track "Up From Below." "When I was only five, my dad told me I died," are the lyrics that start off this tune, whose dark and sardonic words are a sharp contrast against the bright instrumental background. It is the perfect highway song, with spacey keyboards and echoey vocals. "Home" is the band's first single off of the album and has already been performed on Letterman and NPR among other television and radio programs. The crystal clear theme of the tune highlights the passionate love between Ebert and Castrinos. the jangly whistles of the beginning help to introduce the playfully coy lyrics that are traded between the two lead singers. Ten band members may seem excessive, but "Home" is a good representation of how each member plays a key contribution, whether it be with horns, background vocals, or various forms of percussion.

"Desert Song" and "Black Water" are a bit of a lull in the middle of the album, but they do a solid job of bridging the gap between "Home" and the most interesting track on the album, "Come In Please." This tune is a personal favorite because it is extremely different from every other song on the album. The tune is a soulful foot-stomper that showcases Ebert's haunting falsetto. The contribution of the horns, melded together with the combination of a thumping bass drum and various shakers concoct something strangely close to a dance beat. This track shows this band at their strongest and most experimental and is definitely one of the better tunes of 2009. "Brother" is a more raw cut, consisting mostly of Ebert belting heartfelt lyrics over an acoustic guitar. The song helps Ebert flex his muscles as a songwriter and reiterates the fact that this band is the real deal, not just a band built on image. The final track, "Om Nashi Me," is a bot of an odd selection to polish off the album. It at times feels a bit too experimental and overproduced, but it is long enough to have its respective high points.

Having only formed in early 2009, Edward Sharpe and the Magnetic Zeros will be an interesting band to watch in 2010. With bands like MGMT and Passion Pit guiding the indie music scene into a more electronic-influenced realm, it is refreshing to experience and band like the Magnetic Zeros who can do so much with more acoustic options. Up From Below as a whole is a bit hit-and-miss, but with a much greater emphasis on the hit. The album is definitely one of the most interesting of 2009, and in my opinion, one of the best.

Check this performance from the NPR studio. The band does acoustic takes of "Janglin," "Home," and "40 Day Dream."



www.edwardsharpeandthemagneticzeros.com/

Review: Railroad Earth at the Paradise Rock Club 10/24/09

To call the men of Railroad Earth just musicians would be a complete understatement. After their show last Saturday, I see them more as a collective of craftsmen, who have the ability to bend the genre of bluegrass into something that is more complex, expansive, and experimental. After selling out the Paradise last October, Railroad Earth decided to do back to back nights at the venue this year.

Rain poured on shivering fans who anxiously awaited the opportunity to dance out of their soggy boots for night two of Railroad Earth. Fans who had attended the previous night gave great praise to a show that included fan favorites such as "Elko" and "Like a Buddha," giving all the more reason to look forward to the upcoming set. As I peered throughout the almost sold-out crowd, the age diversity in the audience was an immediate standout. College students like myself were joined by aging bluegrass fans and even some who I may even classify as "senior citizens" found their niche in the less congested balconies. The band hit the stage and got feet moving early, starting off with the fiddle-heavy "Just So You Know." Railroad Earth is filled with masterful players, but an immediate attention grabber, especially in this first tune, was the imagery in the lyrics of lead singer Todd Sheaffer. While many believe that it is stereotypical of jambands to be lyrically handicapped, Sheaffer helps to break this generalization by painting beautiful landscapes and telling vivid stories with his descriptive verses. The first set also saw violinist Tim Carbone and mandolin player John Skehan lock up for a slow, but sweet version of "The Forecast." Carbone and Skehan's on stage bond would become a common theme throughout the night and would help guide the band instrumentally throughout adventurous solo sections. While the first set disappointingly clocked in at under an hour, the highlight of the set was the closer of "420." This instrumental got the crowd hopping and let each respective musician explore the solo space and get creative with buildups and crescendos. After a short but impressive first set, I anticipated high energy in the second set.

The band came out swinging in the second set with a lengthy "New Jam" and proceeded to play the melancholy fan favorite "Bird in a House." Even on a slow tune such as this, the band used their solo space to spread the song out and let each player dip their pen in the ink. The band debuted a tune called "Through the Gates" and masterfully segued into "Give That Boy a Hand." Once again, Carbone and Skehan locked in a groove, dueling and trying to one-up the other. Banjoist Andy Goessling also lent a helpful hand on this series of tunes, picking his way through some fast-fingered solos of his own. The highlight of the set was up next and it started with the very groovy "Warhead Boogie." The band used this spacey jam as a springboard into the the more alternative beat of "Seven Story Mountain." This song began slow with drummer Carey Harmon playing a rim-shot riddled jazz groove with Johnny Grubb locking into the groove on the upright bass. From there, the band exploded into a mesh of solos and sequences with Skehan, Carbone, and Goessling all picking up on the same licks. The tune wandered with the focus of landing at the reggae-influenced boogie of "Old Man and the Land." This trio of tunes stuck out the most to me from the show because it was a spectacular representation of this band's versatility. They began with a signature bluegrass tune, traveled into a jazzier, softer tone, and finally reached a unique reggae sound. To cap off the set, the band gave the crowd a favorite with "Long Way To Go," and let them belt along to the chorus of the same name. After finishing the polished rendition, the band reappeared on stage minutes later for an encore of "Ragtime Annie Lee." Getting faster and faster as the tune progressed, this rendition was the perfect selection to finish off the show.

Despite a shorter show than many would have liked (they left the stage just after 12), I left the venue thoroughly amazed at the expert musicianship I had just witnessed. Railroad Earth may never graduate from the club-circuit due to the simple fact that bluegrass is under-appreciated and underplayed, but they will always bring their A-game because it is clear that they love what they do. Each song brings to life a different story like a delicately stitched quilt, but allows each musician to wrap themselves in this quilt and add their own personal share. Bluegrass can be a very specific and restrictive genre, but Railroad Earth is fearless in bending the rules and expanding the genre into something bigger and more dimensional. If you ever have the chance to experience Railroad Earth, you will undoubtedly be treated to one of today's best touring bands.

Railroad Earth, Paradise Rock Club, 10/24/09
Set I: Just So You Know, Drag Him Down, For Love, The Forecast, Storms, Fisherman's Blues, 420
Set II: New Jam (SHJ), Bird in a House, Walk Beside Me, Through the Gates * > Give That Boy a Hand, Warhead Boogie > Seven Story Mountain, Old Man and the Land, Lonecroft Ramble, Long Way To Go
Encore: Ragtime Annie Lee

*First Time Played

www.railroadearth.com

Tuesday Tribute: Peter Tosh

In the early 60's, Peter Tosh met Bob Marley and Bunny Wailer. The trio went on to form the Wailers and the world of reggae music was forever changed. As the Wailers achieved fame both in Jamaica and the US, Bob Marley became the face of the group, and by 1974, Tosh had gone solo. Tosh traded mainstream success for the ability to convey his militant views and political messages through his songs. A passionate advocate for the legalization of marijuana, Tosh's first and perhaps biggest hit was 1976's "Legalize It." His views on marijuana made him a common target of the police and he was beaten by Jamaican officers more than once. Tosh continued making solo records throughout the early eighties and at one point went on tour with the Rolling Stones. Tosh left the music world in 1983 to move to Africa and make spirituality a priority. While in Africa, he wrote numerous Anti-Apartheid songs and performed at a number of Anti-Apartheid concerts, once again getting his voice heard on the political and social levels. Sadly, Tosh was murdered at his Jamaica home in 1987, but not before leaving a lasting impression on world, reggae, and soul music as well as passing on numerous messages through his lyrics and his actions.

The first video this week is of Tosh, Bob Marley, and the rest of the Wailers doing "You Can't Blame The Youth." Although Bob Marley normally got the spotlight not only with the Wailers, but in the entire face of reggae music, Tosh takes his turn here both on vocals and wah-wah rhythm guitar.



The next tune doesn't have much of a video, but I think its my personal favorite Tosh song, so
I figured I'd share it anyway. "Reggaemylitis" is one of his later tunes, but it has a really solid, happy groove. Its also off of one of the most awesome album titles of all time: Wanted Dread & Alive.



Here is a cover of the Temptations' tune "Don't Look Back" that Tosh did with Mick Jagger. I could be the world's biggest fan of Mick's signature strut, but even I can tell that he looks a bit out of place in this one.



The last clip is a live take of Tosh doing his biggest hit, "Legalize It." The video also shows numerous shots of pot being smoked. The song itself has become an anthem of those involved in the movement to legalize marijuana, but there is no denying that it is a classic tune.

Perry's Pick: Jamie McLean Band

In the world of music, nothing really matches honest rock and roll. While recent times have given the spotlight to hip-hop, indie, pop, and electronic, one of the men reviving rock is Jamie McLean. McLean and his band bring experienced fundamental rock, but use it as a springboard for McLean's explosive and innovative guitar solos. Channeling the guitar sounds of Warren Haynes and Luther Dickinson and mixing it with his dynamic vocals that shadow Johnny Lang and Chris Robinson, McLean is the full package frontman. McLean got his start as the on-and-off guitarist for New Orleans' legendary Dirty Dozen Brass Band. He has shared the stage with many of rock's prominent names, but is also in high demand in the studio, working with artists that range from Norah Jones to Chuck D. Now that he has formed his own band, however, McLean has made quite the leap from sideman to frontman. His originals are robust and guitar-heavy, but leave breathing room for his cleaver lyrics to peek through and to let supporting band members like drummer Carter McLean (Jamie's brother) to show their skills. I had the pleasure of seeing The Jamie McLean Band open for Blues Traveler a few weeks ago and they did more than a fine job warming up the crowd. Tunes such as "Garden of Thieves" and "Can You Hear Me Now" stuck out as gems. Heads began to spin, however, when McLean took the stage with Blues Traveler later in the night and traded licks with John Popper. By the look on Popper's face and the electrifying energy that the collaboration created, it was clear to all in the crowd that McLean is the real deal. The band tours regularly and circulates many festivals, so if you have the chance to see them, you'll be in for a night of solid, soul-pounding rock. Also, be sure to pick up the band's latest album, American Heartache, which has been well-received from critics and fans alike.



www.jamiemclean.com

Gregg Allman Winter Tour

The Allman Brothers 40th Anniversary Tour just ended last week to an overwhelmingly strong reception. The tour was one of the best of 2009, but now with time between summer tour and hopefully another Beacon run in the spring, Gregg Allman will be doing a number of dates with a solo band. I had the pleasure of seeing Gregg Allman and Friends (not sure if they will be touring under that name this time) a few years ago and it was both intimate and memorable. Allman chooses some great covers to play and really allows his terrific singing voice to lead the way rather than the dueling guitars of Haynes and Trucks. Allman is quoted as saying, "The Brothers had a great run this summer. I'm gonna stretch these solo shows out a bit, try some new material and just do what I do." It will be interesting to hear what these sets are like. In Gregg Allman's band is keyboardist Bruce Katz, bassist Jerry Jemmott, drummer Steve Pottz, guitarist Scott Sharrard, saxophonist Jay Collins, and percussionist Floyd Miles. I wouldn't be surprised to see a handful of special guests throughout this tour as well. If you have the chance, please go see this man. He's a legend and he always puts on a memorable performance.

Gregg Allman Winter Tour 2009:
11/11 Salamanca, NY Seneca Allegany Casino & Hotel
11/12 Verona, NY Turning Stone Casino
11/14 Peekskill, NY Paramount Center for the Arts
11/19 Englewood, NJ Bergen Performing Arts Center
11/21 New York, NY Michael J Fox Foundation Benefit
12/30 Jim Thorpe, PA Penn’s Peak
12/31 Lincoln, RI Twin River Casino
1/2 Westhampton Beach, NY Westhampton Beach Performing Arts Center
1/3 Albany, NY Empire State Plaza Performing Arts
Center
1/5 Montclair, NJ Wellmont Theatre
1/6 Annapolis, MD Rams Head On Stage
1/8 Richmond, VA The National
1/9 Atlantic City, NJ Harrah’s Atlantic City
1/12 Fairfield, CT Ridgefield Playhouse
1/13 Fairfield, CT Ridgefield Playhouse

www.greggallman.com

Bradley Nowell's Family Contests the Use of the Name "Sublime"

Last spring, bassist Eric Wilson and drummer Bud Gaugh, the two surviving members of 90's SoCal sensations Sublime, resurfaced and featured a new guitarist and vocalist named Rome Ramirez. The few secret shows that the group played were very well received by audience members, but many felt uneasy about the group reforming under the name Sublime. Sublime was originally masterminded by guitarist and lead singer Bradley Nowell, but the band broke up when Nowell tragically passed away in 1996 and since then, nobody has played under the name until now. The current reincarnation of Sublime is set to play on Saturday at Cypress Hill's 2009 Smokeout in San Bernadino, CA, but they may not be doing it under their intended name. Nowell's family (also the owners of his estate) have asked Wilson and Gaugh to find another name for their new group. Today, they issued the following statement:

It was recently announced that Sublime bassist Eric Wilson and Sublime drummer Floyd ‘Bud’ Gaugh are ‘reuniting’ and teaming with singer and guitarist Rome Ramirez in a band they intend to call ‘Sublime.’ Prior to his untimely passing, both Bud and Eric acknowledged that Brad Nowell was the sole owner of the name Sublime. It was Brad’s expressed intention that no one use the name Sublime in any group that did not include him, and Brad even registered the trademark ‘Sublime’ under his own name.

As Brad’s heirs, and with the support of his entire family, we only want to respect his wishes and therefore have not consented to Bud and Eric calling their new project ‘Sublime.’ We have always supported Bud and Eric’s musical endeavors and their desire to continue to play Sublime’s music. We wholeheartedly supported Bud, Eric and the many talented members of the Sublime posse that formed the Long Beach Dub All-Stars, soon after Brad’s death, to honor him through their original recordings, live performances and Sublime music until they disbanded in 2001. But, out of respect for Brad’s wishes, we have always refused to endorse any group performing as ‘Sublime,’ and now with great reluctance feel compelled to take the appropriate legal action to protect Brad’s legacy.

Our hope is that Brad’s ex-bandmates will respect his wishes and find a new name to perform under, so as to enhance the ‘Sublime’ legacy without the confusion and disappointment that many fans have expressed upon seeing the announcement.

Peace and Love to all,

Troy, Jakob & Jim ‘Papa’ Nowell.

As of right now, Sublime is still set to appear at Saturday's show under the name Sublime. Personally, it is tough for me to pick a side on this one. From Eric and Bud's perspective, not only were they two thirds of the band, but they would definitely fare better with ticket sales if they had the ability to use the name Sublime. From the other perspective, Nowell was also responsible for writing and singing all of Sublime's tunes. Nowell's family also seems extremely reluctant to taking such actions and are very supportive of Wilson and Gaugh's musical careers.
Just my 2 cents.
Also, if you haven't heard this new guy Rome play with the band, they kinda rock together. Take a peak at the video. Unfortunately, embedding is disabled on most videos of them, so if you'd like to watch, click HERE.

Weezer: New Video and Tour Dates for release of Raditude

Legendary nerd-rockers Weezer are preparing to release their new album Raditude, which may feature the greatest album cover ever, on November 3rd. In preparation for this release, they have just come out with the album's first video for the super-poppy "(If You're Wondering If I Want You To) I Want You To." Weezer have always been revered for their genuinely creative music videos (remember the Happy Days themed "Buddy Holly" or the Muppet themed "Keep Fishin'"), and while this one certainly doesn't live up to some of its elders, it is worth a watch. Accompanying the album release is a small set of US tour dates for the late fall. The group will also play two straight nights on "The Late Show With David Letterman" on October 29th and 30th.

Weezer Fall Tour Dates:
10-24 Los Angeles, CA - Palladium *
10-31 New York, NY - Hammerstein Ballroom !
12-01 Chicago, IL - Aragon Ballroom
12-03 Milwaukee, WI - Eagles Ballroom
12-05 Toronto, Ontario - Air Canada Center
12-07 Boston, MA - Agganis Arena
12-09 Baltimore, MD - UMBC Fieldhouse
12-10 Philadelphia, PA - Susquehanna Center

* with Wax
! with Matt and Kim

www.weezer.com

Big Festival 8 Hint?

As Phish nerds like myself anxiously await the arrival of Halloween, we will take any hint we can get regarding Phish's "costume set" at Halloween weekend's Festival 8. Earlier this month, Phish put 99 album covers on their website as possibilities for this Halloween cover set. Every day, albums have been killed off, but we are still a long way away from finding out that final gem. Today, livemusicblog.com posted what appears to be a layout of a festival campground featuring many Kid A themed areas and roads. Radiohead's Kid A is on the list of potential albums, so if this is a real map from a credible source, which is questionable by its appearance, then it looks like we may see a Radiohead set. Check out the map for yourself.

Tuesday Tribute: Chris Robinson

This week, we take a look at one of the best lead singers of the 1990's who is still going strong. Chris Robinson, along with his brother Rich, started Mr. Crowe's Garden back in the mid-1980's, which is a band we know today as the Black Crowes. One of the immediate draws about the Crowes and more specifically Chris' voice is its strong resemblance to a classic rock sound. Bands such as Led Zeppelin, The Faces, and Humble Pie clearly shine through in Robinson's soulful wail, which has gained the Crowes quite a diverse fan base. Few bands have been able to achieve such a vintage sound and still have so much success on American popular radio. Despite achieving early success with albums like Amorica and Shake Your Money Maker, however, the Crowes have never experienced the fame of other pop, rock, and alternative groups of the 90's and 00's. Many have written them off as just a "stoner band" because they happen to play guitar solos that exceed one minute long. While some can't quite comprehend the appeal of such a characteristic, others eat up the fact that not only Chris's brother Rich can tear through guitar solos, but also that Chris himself can have his presence felt on stage the whole time as well. Many also do not recognize Robinson's extraordinary songwriting talent, but his lyrics and progressions have gained him praise from the likes of Phil Lesh, Levon Helm, and the Dickinson brothers of North Mississippi Allstars, one of whom, Luther, now plays with the Crowes. This week, I've found some clips dedicated to Chris Robinson.

The first clip is of Chris doing his best Rod Stewart-circa-The Faces impression. "Jealous Again" was one of the Crowes' first hits of off Shake Your Money Maker. Here they are on Letterman making their network television debut.



Here's a clip of one of Robinson's solo groups, New Earth Mud, doing a cover of the tune "Boney Maroney." Sitting in for this take is one of the hardest working men in rock, axemaster Warren Haynes.



Some remember a few years ago when the legendary Jimmy Page decided to go on tour and chose the Black Crowes as his backing band. Here's Chris doing his best Robert Plant on "What Is and What Should Never Be."



Lastly, I bring you a beautiful cut of the Crowes performing an unplugged version of a later tune called "Soul Singing." This was filmed for part of a television special and features Luther Dickinson on slide and Rich Robinson on a 12-string guitar. Enjoy!

Dave Matthews Band to Tour Europe in 2010

Dave Matthews Band has just announced that they will kick off 2010 with a string of European shows. The band spent the summer touring in support of their latest release Big Whiskey and the GrooGrux King, an album dedicated to the late great Leroi Moore who tragically passed away last year. Bela Fleck and the Flecktones saxophonist Jeff Coffin has replaced Moore for live shows ever since Moore's passing. Many of the tunes off of their recent album have already regularly made their way into DMB setlists and this will be the first opportunity for fans across the pond to experience this album live. For any diehard Dave fans out there, DMB is far bigger in the US than in Europe, so if you can make the trip, you will have the opportunity to see the band play some smaller rooms throughout the tour.

Dave Matthews Band 2010 Europe Dates:
February 13 Stockholm, Sweden—Arenan
February 14 Copenhagen, Denmark—Falconer Theatre
February 16 Hamburg, Ger.—Congress Center Hamburg Hall 1
February 17 Berlin, Germany—Tempodrom
February 19 Vienna, Austria—Gasometer
February 20 Munich, Germany—Zenith
February 22 Milan, Italy—Palasharp
February 23 Rome, Italy—Palalottomatica
February 25 Padova, Italy—Palasport San Lazarro
February 28 Cologne, Germany—Palladium
March 1 Antwerp, Belgium—Lotto Arena
March 3 Amsterdam, Netherlands—Heineken Music Hall
March 4 Frankfurt, Germany—Jahrhunderthalle
March 6 London, England—O2 Arena
March 7 Manchester, England—Apollo Theatre
March 9 Dublin, Ireland—O2 Arena
March 11 Glasgow, Scotland—Scottish Exhibition and Conference Centre
March 12 Birmingham, England—O2 Academy – Birmingham

www.davematthewsband.com

Perry's Pick: Drummer

Drummers take on many different personas in a band. Some look at them as the badass or the wildman like a Keith Moon or a John Bonham. Others see them as the modest metronome that sits in the back of the stage as others take the spotlight. Regardless, drummers have never been the most notable name in a band (Levon Helm, but not many more come to mind immediately). Well those days are over, because Drummer is a new band that consists of only drummers. Now wait, before you write them off as just a novelty act you must know that they are all drummers by trade, but in this particular group, they all play different instruments. The group was a product of the mind of Black Keys drummer Patrick Carney, who decided to create the group when fellow Black Key Dan Auerbach took some time off to do a solo album and tour. Carney plays bass for Drummer and reunited with friends throughout the Akron, Ohio area who also happened to be drummers for their former bands. The Black Keys, who play riff-heavy blues, shine through very little in Drummer's music, which could much more easily be compared to Built to Spill. The band molds very well and the fact that many of them are not playing their primary instument shows their tremendous versatility. The vocals tend to be very echoey and spacey, but the band rides on the solid guitar riffs of Jamie Stillman and Jon Finley that shadow the likes of Jonny Greenwood. The band just released their debut album, Feel Good Together, on September 29th. The album provides some of 2009's most creative and consistent indie rock and has already recieved high praise from music critics. Drummer is currently in the middle of a fall tour with The Royal Bangs, another band on Carney's label Audio Eagle. If you have the opportunity, go see Drummer live on tour, but be sure to check out their debut album Feel Good Together, available now on Audio Eagle.

I'm also loving the music video for the single of of the album, also titled "Feel Good Together."



www.myspace.com/drummertheband

Cornmeal Fall Tour

Chicago bluegrassers Cornmeal began their fall tour this past week in Lincoln, Nebraska. Cornmeal defies the laws of traditional bluegrass with their addition of drums, but always strives for an energetic, fast-paced vibe. While the band is stacked with experienced musicians and gifted soloists, the woman at the helm of the operation is fiddler Allie Kral. Kral proves that she can saw with the best of them, often taking Cornmeal shows to a whole new level. Creating the pulse of Cornmeal are the Novak brothers, Kris and J.P., on guitar and drums respectively. Banjoist Wavy Dave Burlingame takes the lead vocals with a lending hand from Kral and Kris Novak. Joining Cornmeal for a series of dates is Virginia's own The Bridge. Be sure to catch a date of the tour because both of these bands certainly know how to bring the fire!

Cornmeal Fall Tour:
10/15- Bourbon Theatre- Lincoln, NE
10/16- Hodi's Half Note- Ft. Collins, CO
10/17- The Fox Theatre- Boulder, CO
10/20- Proud Larry's- Oxford, MS
10/21- Live Wire Music Hall- Savannah, GA
10/22,23,24- Magnolia Festival- Live Oak, FL
10/25- The Hangout- Gulf Shores, AL
10/27- 3rd & Lindsley- Nashville, TN, w/ The Bridge
10/28- Headliner's- Louisville, KY
10/29- Mojo's- Columbia, MO, w/ The Bridge
10/30- Blueberry Hill- St. Louis, MO, w/ The Bridge
10/31- Halloween Show at the Canopy Club- Urbana, IL, w/ The Bridge
11/2- Beachland Ballroom & Tavern- Cleveland, OH, w/ The Bridge
11/3- 123 Pleasant Street- Morgantown, WV, w/ The Bridge
11/4- Rex Theatre- Pittsburgh, PA, w/ The Bridge
11/5- Underground @ Drake- Toronto, ON, w/ The Bridge
11/6- Mohawk Place- Buffalo, NY, w/ The Bridge
11/7- Westcott Theatre- Syracuse, NY, w/ The Bridge
11/8- Triumph Brewery- New Hope, PA, w/ The Bridge
11/10- World Cafe- Philadelphia, PA, w/ The Bridge
11/11- The Thirsty Turtle- College Park, MD, w/ The Bridge
11/12- The Jewish Mother- Virginia Beach, VA, w/ The Bridge
11/13- Canal Club Downstairs Lounge- Richmond, VA, w/ The Bridge
11/14- 9:30 Club- Washington, DC, opening for Dark Star Orchestra
11/20,21- The Yacht Club- Iowa City, IA
11/28- The Vic Theatre- Chicago, IL, w/ Trampled by Turtles
12/2- Sullivan Hall- New York, NY, Post-Phish Show

Here's a video of Cornmeal performing the footstomper "River Gap" at the Yarmony Music Festival. The video quality is poor, but the sound gives a good taste of the heat they bring to the live stage.


www.cornmealinthekitchen.com

Flaming Lips to Release a Cover of Pink Floyd's Dark Side of the Moon

The sultans of strange, The Flaming Lips, are currently basking in the praise of their latest studio album Embryonic, but are already planning another new project. The Lips plan to cover Pink Floyd's legendary 1973 opus, Dark Side of the Moon, in its entirety. The project will be a collaboration with the band Stardeath and the White Dwarfs which features Wayne Coyne's nephew Dennis Coyne and will also feature guest spots by Henry Rollins and Peaches. Coyne revealed his plans for the album last night during a Q/A session with fans after a gig in Los Angeles. While no specifics for a release date have been confirmed, it was mentioned that the album will most likely be an iTunes-only release.

www.flaminglips.com

Kings of Leon Set To Release Live DVD

The Kings of Leon are preparing to release their first full-length live DVD. Filmed on June 30th, 2009 at London's O2 Arena, the gig was one of a series of three, all of which sold out in less than an hour. Having once been a huge fan of this band, news of a live DVD is very exciting, but after the release if Only by the Night last fall, my personal interest in the band has waned. Youth and Young Manhood and Aha Shake Heartbreak were two of may favorite albums of this decade, but everything I loved about those albums including Caleb Followill's gritty vocals, the dueling rhythm and lead guitars, and the southern twang they put on their tunes, were all erased on their most recent release. Regardless of my personal opinion, the Kings of Leon have blown up in the past year and I'm sure this DVD will sell very well. The DVD, entitled Live at the O2 London, England, will be released on November 10th.

Live at the O2 London, England Track Listing:
Notion
Be Somebody
Taper Jean Girl
My Party
Molly's Chambers
Red Morning Light
Fans
California Waiting
Milk
Closer
Crawl
Four Kicks
Charmer
Sex on Fire
The Bucket
On Call
Cold Desert
Use Somebody
Slow Night, So Long
Knocked Up
Manhattan
Black Thumbnail

www.kingsofleon.com

Bonnaroo 2009 DVD set to Release

Despite what your "underground" friends might tell you, Bonnaroo is still leading the pack in terms of large-scale music festivals. While music snobs (including myself at times) have complained about how commercial the festival has gotten, in concordance with gigantic attendance rates and sometimes questionable lineup choices, they still get the biggest names in the music business and find ways to make their artist lineup extremely diverse. I heard nothing but excellent reviews from those who caught this past summer's festival, but it was meant to be with headliners like Phish, Bruce Springsteen, and the Beastie Boys. A DVD of Bonnaroo 2009 is set to release in December, but the track listing was recently released. You can pre-order this DVD now and be automatically entered to watch a set of your choice from the soundboard or a special viewing platform at Bonnaroo 2010.

Bonnaroo 2009 DVD Tracklisting:
Bruce Springsteen and the E Street Band – Outlaw Pete
Phish- Down With Disease
Beastie Boys – Intergalactic
Snoop Dogg – I Wanna Love You
Elvis Costello with Jenny Lewis and Her Sound – Go Away
Ben Harper and Relentless7- Fly One Time
Andrew Bird- Fitz and the Dizzyspells
The Decemberists- The Wanting Comes In Waves/Repaid
Del McCoury Band – Moneyland
Coheed and Cambria – Welcome Home
Amadou & Mariam – Masiteladi
Santigold – L.E.S. Artistes
Zac Brown Band – Who Knows
Passion Pit – Little Secrets
Raphael Saadiq – Keep Marchin’
Cage the Elephant- Ain’t No Rest For the Wicked




www.bonnaroo.com

Soulive Fall Tour

The nation's hottest funk jazz trio is taking to the road once again, this time to support their new release, Live in San Francisco. Since their days with Boston group Lettuce, the boys of Soulive have been lighting up dance floors on a regular basis. Featuring brothers Alan and Neal Evans, on drums and organ respectively, as well as Eric Krasno on guitar, the trio will also be joined for part of the tour by the Shady Horns and vocalist Nigel Hall. The Shady Horns consist of Berklee grad and Boston Legend Sam Kinninger and Ryan Zoidis of the Rustic Overtones. Soulive with horns is absolute fire, so if you have the chance to catch any of those dates, do yourself a favor and do it. Soulive will be playing a Halloween show at the Neighborhood Theatre in Charlotte, NC and New Years Eve shows are yet to be revealed although they did postpone a date at the Paradise in Boston that was scheduled for 12/29. If you feel like gettin' funky this fall, there are few bands out there today that get you movin' better than Soulive.

Soulive Fall Dates:
10/14 - The Note - Westchester, PA, with the Shady Horns and Nigel Hall
10/15 - The Bowery Ballroom - New York, NY, with the Shady Horns and Nigel Hall
10/16 - The Westcott Theater - Syracuse, NY, with the Shady Horns and Nigel Hall
10/17 - Higher Ground - Burlington, VT, with the Shady Horns and Nigel Hall
10/22 - Water Street Music Hall - Rochester, NY
10/23 - Revolution Hall - Troy, NY
10/24 - The Port City Music Hall - Portland, ME
10/29 - The Rex Theater - Pittsburgh, PA
10/30 - The National Zoo - Washington, DC
10/31 - The Neighborhood Theater - Charlotte, NC
12/9- House of Blues- Boston, MA

www.royalfamilyrecords.com/soulive

Tuesday Tribute: Mark Mulcahy

Mark Mulcahy has never been a household name by any means, but it is surprising how such a no-frills, simple songwriter has achieved the respect and recognition of some of our times' best musicians. Beginning his musical ventures with the New Haven, Connecticut college rock band Miracle Legion in 1984, Mulcahy gained little more than New England fame, but captured the admiration of many college-aged fans. Two of these fans were Will McRobb and Chris Viscardi, who went looking for Mulcahy years later when searching for a band to soundtrack their alternative children's show The Adventures of Pete and Pete. Mulcahy gladly accepted and formed Polaris, who wrote a handful of songs for the show including the popular theme song, "Hey Sandy," that are now available on the album Music From the Adventures of Pete and Pete. Since his work with the show, Mulcahy has remained rather quiet, but has kept up with music by performing on his own and co-writing a couple of musicals. While the music of the various Mulcahy projects has never been too elaborate, it has been extremely influential to artists of the same generation. Recently, tragedy stuck and Mulcahy's wife sadly passed away, leaving him to raise their twin 3-year old daughters. To support the musician, many of of his longtime fans including Thom Yorke, Frank Black, Dinosaur Jr., and Ben Kweller, contributed tracks to Caio My Shining Star: The Songs of Mark Mulcahy. The proceeds of this cover album will help to benefit Mulcahy and his family. In honor of this cult hero, I have a few videos to share with you this week.

The first video should be recognizable to any child who didn't grow up under a rock in the 90's. The Adventures of Pete and Pete was a genius show, but part of what made it so special was Polaris' spectacular soundtrack. Here are the opening credits of the show, featuring a chunk of the band's biggest hit, "Hey Sandy." Check out Mulcahy and his bandmates rocking out on the front lawn of the Wrigley household.



While the next video lacks a "video," it features the Miracle Legion tune "A Heart Disease Called Love." This tune, which was featured on the 1987 album Glad, is a slower love song, perhaps influencing later tunes such as "She is Staggering."



Up next is the video for Thom Yorke's take on "All for the Best." Yorke is an outspoken Mulcahy fan, not only contributing to the tribute album, but also dedicating a song to him at a Boston Radiohead show a few years ago. This is an interesting rearranging of a simple Mulcahy tune, definitely worth a listen.



Lastly, I deliver another Polaris track from Pete and Pete. "Summerbaby," is a ska influenced tune that actually turns out to be Little Pete's favorite song in one of the first season episodes. I'm sure Nickalodeon did a bit of censoring with some of the sexually driven lyrics of the chorus. While once again, the song is not overly complex, it is a great example of the versatility of Mulcahy's songwriting and playing.


www.markmulcahy.com/

Perry's Pick: Edward Sharpe & the Magnetic Zeros

Bands today keep getting weirder and weirder. But sometimes with that weirdness comes a great appeal that makes a band seem unbelievably cool. Take the Flaming Lips, Arcade Fire, and the Partridge family, blend them together, and you may get somewhere close to the strange collective known as Edward Sharpe & the Magnetic Zeros. Consisting of 10 members both male and female, the mastermind of the group, Edward Sharpe, is actually Alex Ebert, formerly of the group Ima Robot. The loss of his major label and a spark of love with fellow Magnetic Zero Jade Castrinos inspired Ebert to create this new group of freak-folk hippies and nomadic personalities. In the studio, the group accomplishes the same vintage sound of Dr. Dog and Drug Rug, but also experiments with synthesizers, horn sections, strings, and handclaps for an odd but seemingly natural sound. While only a handful of songs have been released by the band, they are at their best on the single "Home," which displays a hefty dose of whistling only to set up the wonderfully warm love lyrics including a chorus of "home is wherever I'm with you." The group may have already shown some strength in the studio, but the Edward Sharpe experience can only truly be had during a live show. Just as Wayne Coyne of the Flaming Lips crawls above his crowd in a human bubble and the Polyphonic Spree strangely impersonates a Jesus-Freak cult, Edward Sharpe & the Magnetic Zeros bring extraordinary aspects to their concerts. Often shirtless, the dreadlocked Alex Ebert orchestrates his group of ten in an odd manner, incorporating theatrics and interacting with the audience. As Ebert may be strutting around stage like Mick Jagger, Castrinos may be tossing flowers into the crowd, but always evident is the love connection between the two, which is another aspect that helps to convey the "free love" attitude that is so strangely portrayed. This group is just getting on their feet, but are already receiving unbelievable praise from just about every source that has caught wind of them. The Magnetic Zeros have just embarked on a gigantic fall tour that will bring them all around the states, so if you have the opportunity, catch them while they're still playing small clubs.

The video below, set to the instrumental of their tune "Up From Below," gives a nice sense of their vintage qualities.


Here's a live take of "40 Day Dream" from the Regent Theatre.


www.edwardsharpeandthemagneticzeros.com/

Langhorne Slim Fall Tour

Rootsy soulman Langhorne Slim is spanning the US this fall with his band, the War Eagles. Supporting his latest studio album, Be Set Free, Langhorne will make over 25 stops in his two month tour. Playing an upbeat mix of folk, soul, and bluegrass, Langhorne has been praised by everyone from Paste Magazine to Rolling Stone. His signature singing voice drives his new album, which could possibly be the push he needs to make him a household name in the music world. Supporting Langhorne and his band on this tour is California band Dawes. Check out Langhorne this fall, as you may never get to see him in such a small setting again.

Langhorne Slim Fall Tour:
10/14- Daniel Street- Milford, CT, w/Murder By Death
10/15- Bell House- Brooklyn, NY, w/ Dawes
10/17- TT The Bears Place- Cambridge, MA, w/ Dawes
10/21- The Grog Shop- Cleveland Height, OH, w/ Dawes
10/22- Blind Pig- Ann Arbor, MI, w/ Dawes
10/23- Lincoln Hall- Chicago, IL, w/ Dawes
10/24- High Noon Saloon- Madison, WI, w/ Dawes
10/25- 400 Bar- Minneapolis, MN, w/ Dawes
10/26- The Waiting Room- Omaha, NE, w/ Dawes
10/28- Jackpot Saloon- Lawrence, KS, w/ Dawes
10/29- Hi-Dive- Denver, CO, w/ Dawes
10/30- Urban Lounge- Salt Lake City, UT, w/ Dawes
10/31- Neurolux- Boise, ID
11/2- Tractor Tavern- Seattle, WA, w/ Dawes
11/3- Media Club- Vancouver, BC, w/ Dawes
11/4- Crystal Ballroom- Portland, OR, w/ Dawes
11/6- The Independent- San Francisco, CA, w/ Dawes
11/7- Cellar Door- Visalia, CA, w/ Dawes
11/8- Troubador- Los Angeles, CA, w/ Dawes
11/9- The Rhythm Room- Phoenix, AZ, w/ Dawes
11/11- The Mohawk- Austin, TX, w/ Dawes
11/13- The Basement- Nashville, TN, w/ Dawes
11/14- Earl- East Atlanta, GA, w/ Dawes
11/15- Cats Cradle- Carrboro, NC, w/ Dawes
11/16- The Southern- Charlottesville, VA, w/ Dawes
11/17- Rock N Roll Hotel- Washington, DC, w/ Dawes
11/19- Johnny Brenda's- Philadelphia, PA, w/ Dawes
11/20- Chameleon Club- Lancaster, PA, w/ Dawes
11/21- Le Poisson Rouge- New York, NY, w/ Dawes



www.myspace.com/langhorneslim

Phish Announce Fall Tour

Everyone's favorite Vermont jammers have announced a series of east coast dates for this fall. Coming off of a 2-leg summer tour as well as last month's release of their latest studio album Joy, fans are becoming newly acquainted with Phish's fresh material and reacquainted with the sound they had yearned for in their 5-year hiatus. The big highlight in this list of dates is Phish's 3-night stand at New York's Madison Square Garden, a venue familiar to Phish fans for their monumental New Year's Eve shows. The tour also includes multiple night stops in Albany, Philadelphia, and Cincinnati. The ticket request period is currently underway at http://phish.portals.musictoday.com/ and will end on October 16th. Tickets will go on sale to the public beginning Friday, October 23rd with additional dates going on sale Saturday, October 24th. Its certainly shaping up to be a terrific fall, but please, if you're a scalper, STAY THE HELL AWAY!

Phish Fall Tour 2009:
11/18 Cobo Arena, Detroit, MI
11/20 U.S. Bank Arena, Cincinnati, OH
11/21 U.S. Bank Arena, Cincinnati, OH
11/22 War Memorial at Oncenter, Syracuse, NY
11/24 Wachovia Center, Philadelphia, PA
11/25 Wachovia Center, Philadelphia, PA
11/27 Times Union Center, Albany, NY
11/28 Times Union Center, Albany, NY
11/29 Cumberland County Civic Center, Portland, ME
12/02 Madison Square Garden, New York, NY
12/03 Madison Square Garden, New York, NY
12/04 Madison Square Garden, New York, NY
12/05 John Paul Jones Arena, Charlottesville, VA

PHISH - FALL TOUR 2009 from Phish on Vimeo.

www.phish.com

Review: Blues Traveler at the Paradise Rock Club 10/6/09

Having begun my time as a concert-goer at a young age, I have come to appreciate the educational qualities of being one of the youngest ones at the show. While this has become a rarer occurrence as time has passed, Tuesday night's Blues Traveler show at the Paradise proved that those concerts may never die. As many longtime fans flocked to the Paradise, a venue that frontman John Popper admitted to having played several times, it was easy to stumble upon fans like Bobby and Joanne who "used to see them play Red Rocks every 4th of July," or Danny who "started seeing these guys like 15 years ago." Despite Blues Traveler taking a step back from the spotlight of popular music in recent years, I was anticipating high energy.

Kicking off the night was New York power trio the Jamie McLean Band. Showing great force right off the bat, McLean proved himself a heavy hitter on guitar, stepping out for numerous solos and turning the heads of many who showed up early. Tunes like "Can You Hear Me Now" and "Check Mate" were well received by the crowd who seemed more than satisfied with the impressive opening act. By the time the house was packed tight with the diverse crowd, Blues Traveler was ready to hit the stage. As John Popper reminisced of the band's history at the Paradise Rock Club, the band, fittingly enough, began to play the nostalgic "Back in the Day." Just as he would continue to do all night, Popper began to wail his signature sound on his harmonica, giving the crowd exactly what they came for. While Popper was on as always, the one who really caught my attention was bassist Tad Kinchla, who made his way up and down the neck of his Modulus six-string like a spider. The first high point of the show came early in the set as Jamie McLean made his way up to the stage to jam with the band on "Mulling it Over." McLean and Popper had a good old fashioned duel in the solo section, trading licks and topping eachother's riffs all in good fun. Energy levels were blaring as the band segued into one of their biggest hits, "But Anyway." For some, this was the first recognizable tune on the setlist, and for others, this was just another in a long list of tunes that brought them back to yesteryear, but regardless, this particular song put a smile on everyone's face.

While the energy levels were consistently high throughout the entire set, the band once again ramped it up for a series of tunes initiated by the bass-driven "Felicia." Nimble as cheetah's, the band continued on to a cover of Sublime's "What I Got," including an impressive buildup with the crowd chanting the memorable 90's chorus. Continuing to please the crowd, the band eased into their steeple hit, "Run-Around." With the crowd shouting the lyrics back at the band, Popper and his bandmates smiled as if they hadn't been playing this tune every show for the past 15 years. As the show progressed, Popper took a number of explosive solos but left space for guitarist Chad Kinchla and drummer Brendan Hill to work their magic. Popper tossed out harmonicas like guitar picks and constantly extended his appreciation to the fans who had turned the average Tuesday night into a very early weekend. The set came to a close with a blistering series of Cheap Trick's "I Want You To Want Me" followed by "Just For Me">"NY Prophesie">"Hook." "Hook" seemed like the proper choice to cap off the night as the crowd once again belted, following the lead of the tireless John Popper. After an encore of "The Path," Blues Traveler fans went home happy, knowing that the band sounded as strong as ever.

I left the Paradise blown away by the energy that Blues Traveler brought to the stage. Despite their growing ages and a history of health issues, Popper and the boys came on stage with a bang and didn't relent throughout the whole night. In a current music scene that is ruled by young indie bands who dedicate much of their energy just to being different, it is refreshing to experience a band whose sole concern is keeping the crowd on their feet for the whole set. After years of constant gigging, it was clear to see not only how tight a band can be with that much experience, but also how they know exactly what the crowd wants to hear. If this is a sign of things to come, I may just be the one 15 years down the road telling a 20 year old fan about my experiences seeing these guys back in the day. While the 90's may never return, it is good to know that its heart still beats thanks to the tireless efforts of bands like Blues Traveler.

Take a listen to the show below. Enjoy!



www.bluestraveler.com

Tuesday Tribute: Curtis Mayfield

From his time with the Impressions to his later days as a funk pioneer, Curtis Mayfield has touched souls around the world with his music. Known as one of the more politically conscious artists of his time, many of his tunes inspired social change and instilled hope in his listeners. Creating music fueled by hand percussion, wah-wah guitar, and horn sections, Mayfield composed some of the 70's greatest gems including "Pusherman" and "Move on Up," which many know as the sample in Kanye West's song "Touch the Sky." Perhaps Mayfield's greatest body of work was the 1972 soundtrack to "Superfly" which is recognized as one of the most influential albums in African-American history with lyrics that portray the struggles of black America at that time. Named as #69 on Rolling Stone's list of the 500 Greatest Albums of All Time, the record has gone on to influence everyone from Herbie Hancock to Snoop Dogg. In 1991, tragedy occurred when the lighting equipment at an outdoor concert he was performing fell on him, paralyzing him from the neck down. Although Mayfield "kept on pushin'" for years after the incident, his 1999 death was linked to complications from the injury. While Mayfield's death was both sudden and tragic, his soul continues to shine to the present day. Much like John Lennon did in the 70's, Curtis Mayfield's greatest mission was to bring peace among the human race. His music and his ideals will forever influence all who listen.

The first video this week is of Curtis and his band performing "Keep on Keeping On" on the Old Grey Whistle Test. This tune of optimism is driven by Mayfield's familiar rhythm guitar playing and the funky congas to back him. Gotta love the suit Curtis is sporting too!



This next clip is proof that Mayfield's musical legacy continues to thrive. Members of Welcome To Florida are joined by fellow Boston musicians for a take of The Impressions classic "We're a Winner" molded together with "Move on Up." Their version pays homage to the recently inaugurated President Obama just as Curtis' version on 1971's Curtis/Live! gives a shout out to Martin Luther King.



Up next is guitar-god Jeff Beck being joined on stage by neo-soul queen Joss Stone for a soulful cut of Mayfield's "People Get Ready." Also in Beck's band is Australian bass virtuoso Tal Wilkenfeld, master drummer Vinnie Colaiuta, and keyboardist Jason Rebello. At such an intimate show, this take is soaked with soul and feeling.



This next video shows the Superfly himself performing his most recognizable hit. Despite promoting a bit of an exploitive film, "Superfly" has an undeniable groove and has gone down as one of the greatest tunes of the 70's. Not only was Mayfield influential and heroic in many ways, but he also shows that he's pretty damn cool.

Review: Family of the Year at T.T. The Bear's Place 10/1/09

The fall was clearly beginning to settle in the Boston area as a chilly crowd swarmed to TT the Bear's Place in Cambridge to soak up the sunny tunes of Family of the Year. While the early hints of winter were anything but foreign to brothers Joe and Sebastian Keefe, who started their musical ventures in Martha's Vineyard, for some of their Californian band mates, Boston was a new scene and a new audience. As a barefooted Joe Keefe and a hot-pantsed Vanessa Long began the opening notes of "Summer Girl," the song acted more as a warm-up which summoned the drinkers of the adjacent bar to the front of the house. Momentum quickly grew, however, as bassist Brent Freaney and keyboardist Christina Schroeter rose to the stage to round out the group. As the band plugged in, an electric version of "Surprise" followed the mellow opener just as it does on their recently released EP "Where's The Sun." As the band loosened up, the opening chords of "Party Time: Hits of the 90's," electrified the audience and brought the set to a higher level. A tambourine-toting Long was locked into a groove with lead guitarist Joe Keefe and both fed off of the energy being channeled by the unique attack drum styles of Sebastian Keefe. The song's appropriate chorus line "I just wanna party all the time," encouraged some of the more ambitious faces in the crowd to rise to the front of the stage and begin dancing. The highlight of the set came in the middle as the band ripped through the nostalgic pop-rock anthem, "Lets Be Honest." Vocal exchanges between Long and Keefe floated above the jangly lead guitar riffs and created a warm buzz in the cozy venue. This song also saw Joe Keefe descend from the stage to show off some guitar chops on the same level as the crowd.

Later in the set, the band paid homage to to the great James Taylor with a cover of "Shower The People." Putting their own spin on the classic tune, the duetted vocals and the supporting instruments helped give the song a full sound and made for an interesting twist on one of those songs that can often feel too familiar. Their take of the song also helped to emphasize an underlying theme of love that was portrayed by the band's entire set. While the group is still in its early stages, their is plenty of reason why the word "family" is included in their title. The long van rides and lack of sleep can catch up with a band that is working to become a household name in the music world, but Family of the Year remained all smiles throughout their set, conveying a shared sense of joy with all who came to listen. If last Thursday's set was a sign of things to come for Family of the Year, don't be surprised to see them rise up in the rankings quite rapidly in the coming year.

Family of the Year will be back at TT's on October 25th. Until then, check out the video below of "Party Time: Hits of the 90's" from last Thursday's show.




www.myspace.com/familyoftheyear

Perry's Pick: Pimps of Joytime

This week's Perry's Pick goes to Brooklyn's newest funkmasters, the Pimps of Joytime. Formed in 2005, the Pimps of Joytime's multi-ethnic lineup fits perfectly with their diverse mix of musical styles and their indescribable blend of genres. Drawing obvious comparisons to Sly & the Family Stone, Jamiroquai, and Fela Kuti, the Pimps have the ability to break barriers between funk, latin, and afrobeat to create music that touches the soul and induces dance. Brian J, the lead singer and guitarist of the group, leads with a Prince-like attitude, often taking various ambitious vocal tones while plucking James Brown funk licks on the high end of his guitar. Backing Brian J is a percussion-rich collective including Chancey Yearwood on congas and backup vocals and Mayteana Morales who pulls the band into an electronic realm by contributing samples and additional percussion. Rounding out the lineup is drummer Eric Kalb formerly of Deep Banana Blackout and bassist Hagar Ben Ari whose extreme talent and musical background help her lay down a groove that the rest of the group can easily spring off of. Their latest release, Funk Fixes and Remixes, features remixes of old fan favorites from their first album High Steppin' such as the Latin groove influenced "Bonita" and "Street Sound," as well as a few new tracks including the super-funky "Joytime Radio." As a live band, the Pimps of Joytime open up their tunes to include jam room for Brian J's guitar as well as percussion solos that let Yearwood and Kalb flex their muscles. The Pimps have toured all over the country and have been featured at festivals such as High Sierra, Gathering of the Vibes, and Mountain Jam. Look for this group on tour as they electrify clubs across the country and remind Americans what real dance music should sound like. Check out the video below of the Pimps of Joytime performing their hit, "Joytime Radio."



www.myspace.com/pimpsofjoytime

Railroad Earth Fall Tour

This fall, bluegrass journeymen Railroad Earth are making their way all over the country for for a massive tour. An undeniable force in the live music world, Railroad Earth has massed a dedicated group of followers over the years by continuing to write heartfelt songs that resonate with the rural audiences for whom they often play. While bluegrass doesn't traditionally include drums, Railroad Earth takes their music a step further by adding percussion and often tearing away from a full acoustic set up. The songwriting and singing of lead man Todd Sheaffer is both sincere and powerful but is only one force in a group of many talented musicians and masterful soloists. Despite bluegrass not being at the forefront of the American music scene, it is both a symbol of Americana and in Railroad Earth's case, a means for dancing. If you're feeling open-minded this fall, hop on the train and catch Railroad Earth on tour.

Railroad Earth Fall Tour:
09/25/2009 Richmond, VA - The National
09/26/2009 Charlotte, NC - Neighborhood Theatre
09/27/2009 Charleston, SC - Music Farm
09/29/2009 Orlando, FL - The Plaza Theatre
10/01/2009 Birmingham, AL - WorkPlay Theatre
10/02/2009 Asheville, NC - The Orange Peel
10/03/2009 Atlanta, GA - Variety Playhouse
10/04/2009 Wilmington, NC -Greenfield Lake Amphitheatre
10/17/2009 New York, NY - Nokia Theatre
10/23/2009 Boston, MA - Paradise Rock Club
10/24/2009 Boston, MA - Paradise Rock Club
10/26/2009 Cleveland, OH - Beachland Ballroom & Tavern
10/27/2009 Millvale, PA - Mr. Small's Theater
10/29/2009 Madison, WI - Barrymore Theatre
10/30/2009 Chicago, IL - Vic Theatre
10/31/2009 Royal Oak, MI. - Royal Oak Music Theatre
11/19/2009 Boulder, CO - Fox Theatre
11/20/2009 Boulder, CO - Fox Theatre
11/21/2009 Boulder, CO - Fox Theatre
11/27/2009 Stroudsburg, PA - Sherman Theater
11/28/2009 Stroudsburg, PA - Sherman Theater
12/10/2009 Brooklyn, NY - Music Hall Of Williamsburg
12/11/2009 Washington, DC - 9 30 Club
12/12/2009 Philadelphia, PA - Theatre of the Living Arts
12/13/2009 Woodstock, NY - Bearsville Theater
12/14/2009 Woodstock, NY - Bearsville Theater
12/27/2009 San Francisco, CA - The Fillmore
12/28/2009 San Francisco, CA - The Fillmore
12/30/2009 Portland, OR - Crystal Ballroom
12/31/2009 Portland, OR - Aladdin Theater

railroadearth.com/